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  Openings and closings

Two newly renovated floors for the National Museum of Modern Art-Centre for Industrial Design at the Centre Georges Pompidou in Paris are celebrated by young French artists in "Jour de fete," January 1 through February 28. The Pompidou has undergone a three-part "restructuring" since April 1998, and the results are to be on view starting December 31.

Speaking of time, "Le Temps, Vite," or "Time, Quickly," is a multidisciplinary look at how we understand and handle that elusive commodity. The show starts ticking January 12 and the meter runs to April 17.

The National Portrait Gallery at the Smithsonian Institution in Washington plans to close on January 9, 2000 for a three-year renovation of its Greek Revival style Old Patent Office Building. The last day for visitors to see the American Art exhibition comes earlier, on January 3. Not much, ahem, time to get there.

 
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Exhibition roundup: On display

December 20, 1999
Web posted at: 12:56 p.m. EST (1756 GMT)

(CNN) -- Not surprisingly, time is on the minds of many artists and the people who present their work. As we enter the final year of the 20th century and second millennium, a lot of art exhibitions being arrayed in many parts of the world involve "Changing the Rules," as an exhibit of Frank Stella's work puts it.

Here are some highlights of what's on view in January and February.

Boston | Denver | Detroit | Fort Worth, Texas | Los Angeles | Miami | New York | San Francisco



Isabella Stewart Gardner Museum, Boston
"Threads of Dissent"
Through January 30, 2000

The concerns to which many of us devote our time are woven into this exhibit that highlights six tapestries, each conveying social and political commentary by contemporary artists. Among the works are Lilian Tyrrell's "Gathering Tusks for Trinkets" from this year, a work that remarks on the practice of elephant tusk harvesting; Wojciech Jaskolka's "Text H-4" (1992), which underscores the loss of Hebraic culture in Poland during and after World War II; and Murray Walker's "Droits de Place" (1991), a collage of images evoking modern-day diversions including motorcycles and movies.

  • Isabella Stewart Gardner Museum, (617) 566-1401


    Denver Art Museum
    "The Clay Vessel: Modern Ceramics from the Norwest Collection, 1890-1940"
    Through August 27, 2000

    Time-honored ceramic and porcelain pieces are here from a range of modern styles -- Arts & Crafts, Art Nouveau, Jugendstil, Limoges and Art Deco. The collection includes works of Rookwood, Tiffany, Limoges and Meissen.

  • Denver Art Museum, (303) 640-4433


    Detroit museum
    Title: The Prince, 1988
    Artist: Dan Dailey
    Dailey is part of the Studio glass movement that comprises the work of small, artist-run studios in glass from 1962 forward.
     
    Kimbell Museum
    Title: The Bodhisattva Maitreya
    This painting dates back to the 15th century and is thought to originate from central or western Tibet.
     
    MoCA museum
    Title: Die heilige Cacilie oder die Gewalt der Musik
    Artist: Frank Stella, 1998
    This five-paneled mural is about 10 feet (three meters) high and 41 feet (12 meters) tall.
     
    The Detroit Institute of Arts
    "Glass, Glass, Glass"
    Through March 5, 2000

    Fragile, fragile, fragile. Seventy pieces of Studio glass are being showcased, carefully, at the Detroit Institute of Arts. The "Studio movement" defines the development of small, artist-run studios for the production of art glass beginning in 1962. Dale Chihuly, whose glass sculptures appear at the Citadel in the Jerusalem 2000 program, is among the artists represented in the Detroit show.

  • The Detroit Institute of Arts, (313) 833-7900


    Kimbell Art Museum, Fort Worth, Texas
    "Worlds of Transformation: Tibetan Art of Wisdom and Compassion"
    Through March 26, 2000

    A lot of time has gone into building Tibetan culture, and that ethos informs 60 sacred paintings called tangkas in this show at the Kimbell Art Museum. Painted on cotton or silk and often framed with brocade, the tangkas are portable icons that typically feature the Buddha, deities or visions of paradise. The paintings date from the mid-13th century to the early 20th century.

  • Kimbell Art Museum, (817) 332-8451


    The J. Paul Getty Museum, Los Angeles
    "The Body Beautiful: Artists Draw the Nude (1440-1850)"
    Through February 27, 2000

    Now, what have artists spent more time on than the mystique of the human figure? Mastering the nude has long been a touchstone of aesthetic endeavor, a focus spanning cultures, faiths, politics and economies. This exhibit shows an evolution of figural drawing over 400 years, from the early Renaissance to the 1800s. Highlights include Rubens' "Anatomical Studies," Courbet's "Standing Female Nude" and Pontormo's "Dead Christ."

  • The J. Paul Getty Museum, (310) 440-7300


    Museum of Contemporary Art, North Miami
    "Frank Stella at 2000: Changing the Rules"
    Through March 12, 2000

    Frank Stella's abstract artworks of the 1990s are so enormous that it's been nearly impossible to hold a comprehensive showing of his work. But North Miami's MoCa is using its cavernous exhibition space to display more than 40 pieces from the decade. One section features drawings and models devoted to Stella's major commission for Miami's new American Airlines Arena, a 34-foot (10-meter) structure that derives its shape from the outline of a Brazilian foam beach hat.

  • Museum of Contemporary Art, (305) 893-6211


    Museum of American Folk Art, New York
    "Millennial Dreams: Vision and Prophecy in American Folk Art"
    Through May 14, 2000

    Throughout American history, folk artists have expressed their visions and prophecies, often in relation to sweeping expanses of time. "Millennial Dreams" traces the tradition in both spiritual and secular manifestations in 65 works, including Shaker spirit drawings, illustrated Adventist charts and Edward Hicks' "Peaceable Kingdom" paintings illustrating verses from the biblical Book of Isaiah.

  • Museum of American Folk Art, (212) 977-7298


    Exploratorium, San Francisco
    "Are You a Masterpiece? A New Video Installation by Sylvie Blocher"
    From January 22 to February 6, 2000

    Well, of course you're a masterpiece, just ... before your time, right? In her new video installation, French artist Sylvie Blocher turns to an unusual source -- the Princeton University football team -- for an examination of religion, art, heroes and self-perception. She asks team members such questions as "Is there a painting over your bed?" and "When do you feel feminine?" and "Are you a masterpiece?"

    Those queries are meant to push viewers, let alone the players, to reframe their ideas about who qualifies as an expert, what questions we ask ourselves and what questions we all address as human beings. Another kickoff. Happy New Year.

  • Exploratorium, (415) 563-7337


    Boston | Denver | Detroit | Fort Worth, Texas | Los Angeles | Miami | New York | San Francisco



     RELATED STORY:
    Exhibition roundup: November/December
    November 16, 1999
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