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Photo ops: Workshops can be a trip

Focusing in on a good travel-photography workshop

A travel-photography workshop led by Pat Gerlach was able to get some close camera time in with these wild horses.  Theodore Roosevelt National Park has as many as 110 feral horses.
A travel-photography workshop led by Pat Gerlach was able to get some close camera time in with these wild horses. Theodore Roosevelt National Park has as many as 110 feral horses.  


By Dennis Newman
CNN

THEODORE ROOSEVELT NATIONAL PARK, North Dakota (CNN) -- Pat Gerlach stood on the hilltop and pondered his next move.

The wildlife photographer was tracking the movements of a herd of wild horses through Theodore Roosevelt National Park. He could see that they were on a path that would take them across the park's main road where they'd be easy photographic prey. But exactly where would they cross?

Minutes later, Gerlach and the half-dozen members of his photography workshop were back in his truck, driving to the most likely rendezvous point.

The timing was perfect. Four members of the herd were waiting for them. Over the next hour or so, Gerlach and his students had a rare close encounter with a family of wild horses.

It's experiences like this one that draw thousands of photographers, amateur and professional, to photography workshops around the world. And in taking a course of this kind, you'll not only learn to take better photos, but you may also have the adventure of a lifetime.

A shot at the perfect workshop

RESOURCES
A field workshop in photography can offer you a vast variety of subjects. Here's an interactive gallery of more images  from the North Dakota Badlands.
 

One way to begin your search for a workshop is by browsing the ads in major photography magazines.

On the Web, Yahoo! and Google (in its directory) list categories devoted to photography workshops.

There's also Photo.net, one of the largest photographic sites on the Internet. Do a search for "workshop" and you'll come up with hundreds of postings from members telling you what they liked and didn't like about workshops they've attended.

In little time, you should have a list of several interesting possibilities. Here are some guidelines to help you find the one that's best.

  • Photography workshops generally fall into one of two categories; classroom and field.
  • Classroom workshops are more focused on teaching specific techniques and skills.

    Field workshops tend to emphasize location and finding photo opportunities.

    Field workshops are more informal, but Gerlach says he believes they offer lessons you won't get from a lecture. "Classroom workshops are about f-stops and shutter speeds, and that's all good and well," he says. "Out there, it's about seeing things.

    "There is so much information to be had in books, but you use so little of it when you take the picture," he says.

    "What technique do you use when you shoot a flower? We can get down on the ground and show them how to do that. With horses it's different. With landscapes it's different," says Gerlach.

    The Little Missouri River courses through the North Dakota Badlands' landscape of buttes, canyons and plains.  This sunset shot was taken on the area's Logging Camp Ranch.
    The Little Missouri River courses through the North Dakota Badlands' landscape of buttes, canyons and plains. This sunset shot was taken on the area's Logging Camp Ranch.  

  • Also important, make sure the workshop is geared toward your level of ability. Many workshops accept photographers of all levels.
  • Ask what equipment you're expected to bring.
  • You may find yourself looking at a list of gear you don't know how to use or can't afford. Even if you don't need all of it, make sure you have the essentials to get the most out of the workshop.

  • Always check before bringing a digital camera. Many pros don't use them and they may not have the expertise or equipment to help you with your digital images.
  • A good instructor is critical. Take a look at his photos on his Web site, at a gallery (online or on the street) or by thumbing through one of this books. If you're not impressed with his work, he may not have much to teach you.
  • In the case of a field workshop, the instructor should be familiar with the location of the workshop. He'll have scouted the area ahead of time and will know where to find the best photos.
  • Gerlach calls this the "insider's view."

    "I try to give them (his students) an intimate feel for the landscape," he says. "It's so easy to be overwhelmed for the first several days. I try to get them past that and get them comfortable about the area. I'll take them over the river, up a dusty cattle trail, along a ravine, over a hill and there you are, looking out over a vista where you can see for miles."

  • A good photographer may not be a good teacher. Go to Photo.net or other Web site and search for comments from others who have taken workshops from the instructor in question. Gerlach also recommends asking for references.
  • One of the best things about a photography workshop is traveling to beautiful and exotic locations. But these out-of-the-way sites don't always have the best accommodations. Check on where you'll be staying to avoid any unpleasant surprises.
  • If your room is included in the price of the workshop, ask if you'll be sharing a room and what it would cost to get one of your own. If you have to find your own place to sleep, see if the workshop has recommendations for nearby hotels and if there's one with a price break for participants.



     
     
     
     



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